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(Created page with "<blockquote>“Todos os mestres viajaram para as montanhas. O conhecimento mais elevado, as canções mais inspiradas, as cores e os sons mais soberbos são criados nas montan...") |
(Created page with "<blockquote>Himalaias! Aqui é a Morada dos Rishis. Aqui soou a Flauta Sagrada de Krishna. Aqui o abençoado Gautama Buda clamou. Aqui originaram-se todos os Vedas. Aqui viver...") |
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1947) p. 21, Jaqueline Decter, ''Nicholas Roerich: the Life and Art of A Russian Master'' (Rochester, Vt: Park Street Press, 1989), p. 141.</ref></blockquote> | 1947) p. 21, Jaqueline Decter, ''Nicholas Roerich: the Life and Art of A Russian Master'' (Rochester, Vt: Park Street Press, 1989), p. 141.</ref></blockquote> | ||
<blockquote> | <blockquote>Himalaias! Aqui é a Morada dos Rishis. Aqui soou a Flauta Sagrada de Krishna. Aqui o abençoado Gautama Buda clamou. Aqui originaram-se todos os Vedas. Aqui viveram os Pandavas. Aqui – Gesar Khan. Aqui – Aryavarta. Aqui está Shambhala. Himalaias – Joia da Índia. Himalaias – Tesouro do Mundo. Himalaias – o Símbolo Sagrado da Elevação”.<ref>Nicholas Roerich, ''Himalayas'', p. 13, ''Nicholas Roerich'', de Decter, p. 203.</ref></blockquote> | ||
Both Nicholas and Helena Roerich had an intense interest in Eastern philosophy and religion. Many of his paintings contain both Western and Eastern deities, saints and sages. His series “Banners of the East” portrays not only spiritual leaders of the past but the hopes of the East for a coming leader. Roerich captured these hopes in his paintings of [[Maitreya]] and the [[World Mother]]. | Both Nicholas and Helena Roerich had an intense interest in Eastern philosophy and religion. Many of his paintings contain both Western and Eastern deities, saints and sages. His series “Banners of the East” portrays not only spiritual leaders of the past but the hopes of the East for a coming leader. Roerich captured these hopes in his paintings of [[Maitreya]] and the [[World Mother]]. |
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