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<blockquote>The future is what you make it, even as the present is what you made it. If you do not like it, God has provided a way for you to change it, and the way is through the acceptance of the currents of the ascension flame.<ref>Ibid., p. 89.</ref></blockquote> | <blockquote>The future is what you make it, even as the present is what you made it. If you do not like it, God has provided a way for you to change it, and the way is through the acceptance of the currents of the ascension flame.<ref>Ibid., p. 89.</ref></blockquote> | ||
Guiseppe Verdi captured the music of the ascension flame in the “Triumphal March” from ''Aïda''. The [[keynote]] of the Ascension Temple is “Liebestraum,” by Franz Liszt, and the radiance of the Electronic Presence of Serapis Bey and his [[twin flame]] pour through the aria “Celeste Aïda.” | Guiseppe Verdi captured the music of the ascension flame in the “Triumphal March” from ''Aïda''. The [[keynote]] of the Ascension Temple is “Liebestraum,” by [[Franz Liszt]], and the radiance of the [[Electronic Presence]] of Serapis Bey and his [[twin flame]] pour through the aria “Celeste Aïda.” | ||
== See also == | == See also == | ||