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Serapis Bey: Difference between revisions
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Known as the Great Disciplinarian, Serapis came from Venus with the [[Ancient of Days]] to rekindle the sacred fire in the hearts of a wayward mankind. His great enthusiasm to reclaim the sons of man as kings and priests unto God swelled and mounted into a flame of iron will, determination and discipline. | Known as the Great Disciplinarian, Serapis came from Venus with the [[Ancient of Days]] to rekindle the sacred fire in the hearts of a wayward mankind. His great enthusiasm to reclaim the sons of man as kings and priests unto God swelled and mounted into a flame of iron will, determination and discipline. | ||
=== High priest in the Ascension Temple == | === High priest in the Ascension Temple === | ||
He was a priest in the Ascension Temple on Atlantis. As guardian of the ascension flame, he carried the flame safely up the Nile River to Luxor just before Atlantis sank. Serapis gives us a glimpse of this experience in his own words: | He was a priest in the Ascension Temple on Atlantis. As guardian of the ascension flame, he carried the flame safely up the Nile River to Luxor just before Atlantis sank. Serapis gives us a glimpse of this experience in his own words: | ||
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Jesus and El Morya explain that “the building of the pyramid of Self is an inner building, but the outer equation must comply, must show fruits, must set the example that others may follow you all the way to the heart of the Sphinx—to the very heart of the living Guru whom the Sphinx represents and to the heart of the flame within the Great Pyramid that is on the etheric octave (and is not held in the pyramid of Giza, which remains the shell of its former focus and function due to the misuse of its energy by black magicians and false gurus and false chelas).”<ref>Jesus and El Morya, “The Order of the Good Samaritan,” {{POWref|27|52|, October 28, 1984}}</ref> | Jesus and El Morya explain that “the building of the pyramid of Self is an inner building, but the outer equation must comply, must show fruits, must set the example that others may follow you all the way to the heart of the Sphinx—to the very heart of the living Guru whom the Sphinx represents and to the heart of the flame within the Great Pyramid that is on the etheric octave (and is not held in the pyramid of Giza, which remains the shell of its former focus and function due to the misuse of its energy by black magicians and false gurus and false chelas).”<ref>Jesus and El Morya, “The Order of the Good Samaritan,” {{POWref|27|52|, October 28, 1984}}</ref> | ||
=== Amenhotep III == | === Amenhotep III === | ||
[[File:Colossal granite head of Amenhotep III (Room 4).2.JPG|upright=0.7|alt=caption|Head of Amenhotep III, British Museum]] | [[File:Colossal granite head of Amenhotep III (Room 4).2.JPG|thumb|upright=0.7|alt=caption|Head of Amenhotep III, British Museum]] | ||
Serapis was embodied as the Egyptian Pharaoh Amenhotep III (reigned c. 1417–1379 <small>B.C</small>.), the son of Thutmose IV and the great grandson of Thutmose III, an incarnation of [[Kuthumi]]. His son and successor to the throne was Amenhotep IV, later known as [[Ikhnaton]]. During Serapis’ reign, Egypt was at her height of prosperity, peace and splendor, which were the direct manifestation of his communion with his own heart flame and with the ascended masters all the way back to the Ancient of Days. | Serapis was embodied as the Egyptian Pharaoh Amenhotep III (reigned c. 1417–1379 <small>B.C</small>.), the son of Thutmose IV and the great grandson of Thutmose III, an incarnation of [[Kuthumi]]. His son and successor to the throne was Amenhotep IV, later known as [[Ikhnaton]]. During Serapis’ reign, Egypt was at her height of prosperity, peace and splendor, which were the direct manifestation of his communion with his own heart flame and with the ascended masters all the way back to the Ancient of Days. | ||
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=== Phidias === | === Phidias === | ||
[[File:1200px-1868 Lawrence Alma-Tadema - Phidias Showing the Frieze of the Parthenon to his Friends.jpg|thumb|alt=caption|''Phidias Showing the Frieze of the Parthenon to his Friends'', Lawrence Alma-Tadema (1868)]] | |||
Serapis Bey was embodied as the sculptor Phidias during the fifth century <small>B.C</small>. in Athens. He was regarded as the greatest of all the Greek sculptors. He was the architect of the Parthenon, supervising its exquisitely masterful construction. Within the Parthenon he placed his most famous work, the forty-foot high statue in gold and ivory of Pallas Athena, the representation of the Mother figure, the Goddess of Truth. | Serapis Bey was embodied as the sculptor Phidias during the fifth century <small>B.C</small>. in Athens. He was regarded as the greatest of all the Greek sculptors. He was the architect of the Parthenon, supervising its exquisitely masterful construction. Within the Parthenon he placed his most famous work, the forty-foot high statue in gold and ivory of Pallas Athena, the representation of the Mother figure, the Goddess of Truth. | ||
Standing in the Parthenon, one stands in the presence of a piece of architecture that is designed by an individual who knows how to use form, symmetry, geometry, angles for the housing of a flame. The forcefield of the Parthenon does contain an essential flame, as do the Temple of Luxor and the Great Pyramid. | Standing in the Parthenon, one stands in the presence of a piece of architecture that is designed by an individual who knows how to use form, symmetry, geometry, angles for the housing of a flame. The forcefield of the Parthenon does contain an essential flame, as do the Temple of Luxor and the Great Pyramid. | ||
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Phidias also created a huge statue of Zeus out of gold and ivory that stood in the temple of Olympia. He was also a painter, engraver and master of metalwork. His art is characterized by its exalted beauty and spirituality, and he lived as the ultimate personification of the golden age of Grecian master artists who had an enduring influence on all subsequent Western art. | Phidias also created a huge statue of Zeus out of gold and ivory that stood in the temple of Olympia. He was also a painter, engraver and master of metalwork. His art is characterized by its exalted beauty and spirituality, and he lived as the ultimate personification of the golden age of Grecian master artists who had an enduring influence on all subsequent Western art. | ||
== Serapis | As far as we know, Serapis Bey ascended about 400 <small>B.C</small>. | ||
== Worship in Egypt == | |||
[[File:Serapis Louvre Ma 1830.jpg|thumb|upright|alt=caption|Marble bust of Serapis, Carthage (early 3rd century <small>A.D</small>.]] | |||
In the Hellenistic age, from 323 to 31 <small>B.C</small>., Serapis became one of the most important gods of the Egyptian and Greco-Roman pantheons. He was revered as the patron of the Ptolemaic kings of Egypt and as the founding deity of the great city of Alexandria. There are numerous historical records of the intimate contact of Serapis with men throughout Egypt and Asia Minor, and there are over 1,080 statues, temples and monuments dedicated to Serapis Bey that were erected during that era. | In the Hellenistic age, from 323 to 31 <small>B.C</small>., Serapis became one of the most important gods of the Egyptian and Greco-Roman pantheons. He was revered as the patron of the Ptolemaic kings of Egypt and as the founding deity of the great city of Alexandria. There are numerous historical records of the intimate contact of Serapis with men throughout Egypt and Asia Minor, and there are over 1,080 statues, temples and monuments dedicated to Serapis Bey that were erected during that era. | ||
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Serapis Bey played a vital role in the initial thrust and direction of the endeavors of the Brotherhood during the nineteenth century. Among the earliest letters from the adepts and masters to the founders of the Theosophical Society were those of Serapis Bey and the Brotherhood of Luxor. | Serapis Bey played a vital role in the initial thrust and direction of the endeavors of the Brotherhood during the nineteenth century. Among the earliest letters from the adepts and masters to the founders of the Theosophical Society were those of Serapis Bey and the Brotherhood of Luxor. | ||
Serapis took personal charge of the direction and chelaship of the amanuensis Helena Blavatsky and of Colonel Henry Steel Olcott, who was the co-founder and the president of the Theosophical Society. During the six months preceding the formation of the society in 1875, Serapis sent many letters of encouragement and instruction to Colonel Olcott. The letters were written mostly on thick green parchment in gold ink, signed by Serapis in script, and inscribed with an esoteric symbol of the Brotherhood of Luxor. It is characteristic of the letters written to Henry Olcott that he continually gave the exhortation to him, “Try.” The master Serapis stressed the need for courage and fearlessness, the same strong traits he outpictured as Leonidas. | Serapis took personal charge of the direction and chelaship of the amanuensis [[Helena Blavatsky]] and of Colonel Henry Steel Olcott, who was the co-founder and the president of the [[Theosophical Society]]. During the six months preceding the formation of the society in 1875, Serapis sent many letters of encouragement and instruction to Colonel Olcott. The letters were written mostly on thick green parchment in gold ink, signed by Serapis in script, and inscribed with an esoteric symbol of the Brotherhood of Luxor. | ||
It is characteristic of the letters written to Henry Olcott that he continually gave the exhortation to him, “Try.” The master Serapis stressed the need for courage and fearlessness, the same strong traits he outpictured as Leonidas. | |||
== Serapis’ mission today == | == Serapis’ mission today == | ||
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The point of redemption of earth goes back to Lemuria, the Motherland and the Mother flame itself. Earth has a tremendous karma with the Mother flame and in the perversions of the Mother flame that took place on Lemuria, in the area of where San Francisco is now located and off the coast of California. The perversions of the Mother light opened the way for the desecration of the temples, the fall of the priests and priestesses, ultimately ending in misuse of the sexual energies and perversions of the life force. The final act was the murder of the highest representative of the Mother on Lemuria. The real cause of the sinking of Lemuria was the desecration of the person of the Mother and her flame. | The point of redemption of earth goes back to Lemuria, the Motherland and the Mother flame itself. Earth has a tremendous karma with the Mother flame and in the perversions of the Mother flame that took place on Lemuria, in the area of where San Francisco is now located and off the coast of California. The perversions of the Mother light opened the way for the desecration of the temples, the fall of the priests and priestesses, ultimately ending in misuse of the sexual energies and perversions of the life force. The final act was the murder of the highest representative of the Mother on Lemuria. The real cause of the sinking of Lemuria was the desecration of the person of the Mother and her flame. | ||
Serapis Bey, the chohan of the ascension flame and hierarch of the Ascension Temple at Luxor, Egypt, speaks to each one of us: | Since that hour, earth has been slowly coming to the age of Aquarius when once again the light of the Mother could be raised up in all, both male and female, bringing about once again the honoring of the woman and of the Mother and a reunion of the Mother, the light rising from the base, with the light of the Father that descends out of the [[I AM Presence]]. The next two thousand years is destined to see the raising up of consciousness such as has not occurred since the golden ages of Lemuria. | ||
The path of the [[ascension]] is the resolution of those forces that are necessary within our consciousness—Father, Mother, Son and Holy Spirit as the four pillars of the temple within us. [[Gautama Buddha]]’s great lesson was that all suffering is caused by being out of alignment with the inner light through wrong desire. Serapis Bey teaches us how to get into alignment with the inner will of Being. His teachings become the keystone in the arch of hierarchy. Without the white light, we cannot enjoy the integration of selfhood. | |||
Serapis Bey, then, becomes a very important key at a time when there are so many problems in society. The increase in crime, murder, rape, drugs, and so forth is the sign of the coming of the Mother light, rising from the altars of Lemuria. The rising light becomes so intense that, unless we dive into it and become a part of it, it becomes the rock that Jesus spoke of—unless we fall upon that rock and allow our misconceptions to be broken, it breaks us.<ref>Matt. 21:44; Luke 20:18.</ref> | |||
It is the light that resolves identity, but is also the light that is so powerful that it can destroy the false identity that rebels against it. At the dawning of the age of Aquarius, the world is in rebellion against the light of God, and yet the world is seeking God. The teaching of Serapis Bey and the mysteries of the Brotherhood of Luxor contain the answers that can resolve these questions. | |||
Serapis Bey has legions of seraphim in his command. He has great attainment in divine geometry and design. He assists his disciples in the self-disciplines that are necessary for the ascension: the discipline of the four lower bodies in order that the Christ may appear and use them as vehicles for service and attainment in the world of form; the disciplining of past momentums of negative spirals and of human creation that would stand in the way of the ascension flame forming within the heart of everyone evolving upon the planet through the acceleration of the threefold flame. | |||
== The path of the ascension == | |||
His book ''Dossier on the Ascension'' is a textbook on the path of the ascension. It contains teachings from the classes he conducts at the Ascension Temple, and through it, you can have anchored in your conscious mind that which you learn at the Ascension Temple at Luxor while your body sleeps at night. He outlines the requirements of the ascension and provides a thorough explanation and instruction on the process of the ascension. | |||
Serapis describes what happens during the ritual of the ascension: | |||
: It is true, although the form of an individual may show signs of age prior to his ascension, that all of this will change and the physical appearance of the individual will be transformed into the glorified body. The individual ascends, then, not in an earthly body but in a glorified spiritual body into which the physical form is changed on the instant by total immersion in the great God flame. | |||
: Thus, man’s consciousness of the physical body ceases and he achieves a state of weightlessness. This resurrection takes place as the great God flame envelops the shell of human creation that remains and transmutes, in a pattern of cosmic grids, all of the cell patterns of the individual—the bony structure, the blood vessels and all bodily processes, which go through a great metamorphosis. | |||
: The blood in the veins changes to liquid golden light; the throat chakra glows with an intense blue-white light; the spiritual eye in the center of the forehead becomes an elongated God flame rising upward; the garments of the individual are completely consumed, and he takes on the appearance of being clothed in a white robe—the seamless garment of the Christ. Sometimes the long hair of the Higher Mental Body [the [[Holy Christ Self]]] appears as pure gold on the ascending one; then again, eyes of any color may become a beautiful electric blue or a pale violet.... | |||
: Lighter and lighter grows the physical form, and with the weightlessness of helium the body begins to rise into the atmosphere, the gravitational pull being loosened and the form enveloped by the light of the externalized glory which man knew with the Father “in the beginning” before the world was.... | |||
: These changes are permanent, and the ascended one is able to take his light body with him wherever he wishes, or he may travel without the glorified spiritual body. Ascended beings can and occasionally do appear upon earth as ordinary mortals, putting on physical garments resembling the people of earth and moving among them for cosmic purposes. This Saint Germain did after his ascension when he was known as the Wonderman of Europe. Such an activity is a matter of dispensation received from the Karmic Board.<ref>{{DOA}}, pp. 158, 176–77.</ref> | |||
(Generally, however, ascended beings do not return to the physical plane unless there is some specific service requiring this change in vibratory rate.) | |||
Serapis tells us, “You ascend daily.” Our thoughts, our feelings, our daily deeds are all weighed in the balance. We do not ascend all at once, but by increments as we pass our tests and win our individual victories. The entire record of all our past lives and momentums of both good and evil must be counted; and then, when we have brought at least 51 percent of all the energy that has ever been allotted to us into balance with the purity and harmony of the Great God Self, we may be offered the gift of the ascension. The remaining 49 percent must be transmuted, or purified, from the ascended octaves through service to earth and her evolutions. | |||
Serapis Bey, the chohan of the ascension flame and hierarch of the Ascension Temple at Luxor, Egypt, speaks to each one of us: | |||
: The future is what you make it, even as the present is what you made it. If you do not like it, God has provided a way for you to change it, and the way is through the acceptance of the currents of the ascension flame.<ref>Ibid., p. 89.</ref> | |||
Guiseppe Verdi captured the music of the ascension flame in the “Triumphal March” from ''Aïda''. The keynote of the Ascension Temple is “Liebestraum,” by Franz Liszt, and the radiance of the Electronic Presence of Serapis Bey and his twin flame pour through the aria “Celeste Aïda.” | Guiseppe Verdi captured the music of the ascension flame in the “Triumphal March” from ''Aïda''. The keynote of the Ascension Temple is “Liebestraum,” by Franz Liszt, and the radiance of the Electronic Presence of Serapis Bey and his twin flame pour through the aria “Celeste Aïda.” | ||
== See also == | |||
[[Chohans]] | |||
== For more information == | |||
For further teaching by Serapis Bey, see {{DOA}}. | |||
{{DOA}}. | |||
== Sources == | |||
{{MTR}}, s.v. “Serapis Bey.” | |||
{{DOA}} | |||
<references /> | |||
[[Category:Heavenly beings]] | |||