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Serapis Bey: Difference between revisions
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[[File:0000173 ascension-serapis-bey-with-initiate-2133AX 600.jpeg|thumb|upright=1.4|alt=Serapis Bey with an initiate, whith the Sphinx, the Great Pyramid and the King's Chamber|Serapis Bey and an initiate]] | [[File:0000173 ascension-serapis-bey-with-initiate-2133AX 600.jpeg|thumb|upright=1.4|alt=Serapis Bey with an initiate, whith the Sphinx, the Great Pyramid and the King's Chamber|Serapis Bey and an initiate]] | ||
Serapis Bey is the [[chohan]] of the [[fourth ray]], hierarch of the [[Ascension Temple]] at Luxor, and the thirteenth member of the Council of Adepts of the Ascension Temple. He is also known as Serapis Soleil, Serapis of the Sun. | '''Serapis Bey''' is the [[chohan]] of the [[fourth ray]], hierarch of the [[Ascension Temple]] at Luxor, and the thirteenth member of the Council of Adepts of the Ascension Temple. He is also known as '''Serapis Soleil''', Serapis of the Sun. | ||
The fourth ray is the ascension flame, the white light of the Mother in the [[base-of-the-spine chakra]]. Out of this white light comes architecture, the principles of mathematics, the foundations of the building of the Matter temple and the pyramid of Self. In the presence of Serapis, one knows an entirely different conception of what we call the Christ, the real person of us all. | The fourth ray is the ascension flame, the white light of the Mother in the [[base-of-the-spine chakra]]. Out of this white light comes architecture, the principles of mathematics, the foundations of the building of the Matter temple and the pyramid of Self. In the presence of Serapis, one knows an entirely different conception of what we call the Christ, the real person of us all. | ||
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[[File:1200px-1868 Lawrence Alma-Tadema - Phidias Showing the Frieze of the Parthenon to his Friends.jpg|thumb|upright=1.4|alt=caption|''Phidias Showing the Frieze of the Parthenon to his Friends'', Lawrence Alma-Tadema (1868)]] | [[File:1200px-1868 Lawrence Alma-Tadema - Phidias Showing the Frieze of the Parthenon to his Friends.jpg|thumb|upright=1.4|alt=caption|''Phidias Showing the Frieze of the Parthenon to his Friends'', Lawrence Alma-Tadema (1868)]] | ||
Serapis Bey was embodied as the sculptor Phidias during the fifth century <small>B</small>.<small>C</small>. in Athens. He was regarded as the greatest of all the Greek sculptors. He was the architect of the Parthenon, supervising its exquisitely masterful construction. Within the Parthenon he placed his most famous work, the forty-foot high statue in gold and ivory of Pallas Athena, the representation of the Mother figure, the Goddess of Truth. | Serapis Bey was embodied as the sculptor Phidias during the fifth century <small>B</small>.<small>C</small>. in Athens. He was regarded as the greatest of all the Greek sculptors. He was the architect of the Parthenon, supervising its exquisitely masterful construction. Within the Parthenon he placed his most famous work, the forty-foot high statue in gold and ivory of [[Pallas Athena]], the representation of the Mother figure, the Goddess of Truth. | ||
Standing in the Parthenon, one stands in the presence of a piece of architecture that is designed by an individual who knows how to use form, symmetry, geometry, angles for the housing of a flame. The forcefield of the Parthenon does contain an essential flame, as do the Temple of Luxor and the Great Pyramid. | Standing in the Parthenon, one stands in the presence of a piece of architecture that is designed by an individual who knows how to use form, symmetry, geometry, angles for the housing of a flame. The forcefield of the Parthenon does contain an essential flame, as do the Temple of Luxor and the Great Pyramid. | ||
Phidias also created a huge statue of Zeus out of gold and ivory that stood in the temple of Olympia. He was also a painter, engraver and master of metalwork. His art is characterized by its exalted beauty and spirituality, and he lived as the ultimate personification of the golden age of Grecian master artists who had an enduring influence on all subsequent Western art. | Phidias also created a huge statue of Zeus out of gold and ivory that stood in the temple of Olympia. He was also a painter, engraver and master of metalwork. His art is characterized by its exalted beauty and spirituality, and he lived as the ultimate personification of the [[Golden age of Greece|golden age of Grecian master artists]] who had an enduring influence on all subsequent Western art. | ||
As far as we know, Serapis Bey ascended about 400 <small>B</small>.<small>C</small>. | As far as we know, Serapis Bey ascended about 400 <small>B</small>.<small>C</small>. | ||
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[[Chohans]] | [[Chohans]] | ||
[[Ascension Temple]] | |||
== For more information == | == For more information == | ||