Translations:Serapis Bey/65/en: Difference between revisions

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Guiseppe Verdi captured the music of the ascension flame in the “Triumphal March” from ''Aïda''. The keynote of the Ascension Temple is “Liebestraum,” by Franz Liszt, and the radiance of the Electronic Presence of Serapis Bey and his [[twin flame]] pour through the aria “Celeste Aïda.”
Guiseppe Verdi captured the music of the ascension flame in the “Triumphal March” from ''Aïda''. The [[keynote]] of the Ascension Temple is “Liebestraum,” by [[Franz Liszt]], and the radiance of the [[Electronic Presence]] of Serapis Bey and his [[twin flame]] pour through the aria “Celeste Aïda.”

Latest revision as of 12:30, 18 September 2022

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Guiseppe Verdi captured the music of the ascension flame in the “Triumphal March” from ''Aïda''. The [[keynote]] of the Ascension Temple is “Liebestraum,” by [[Franz Liszt]], and the radiance of the [[Electronic Presence]] of Serapis Bey and his [[twin flame]] pour through the aria “Celeste Aïda.”

Guiseppe Verdi captured the music of the ascension flame in the “Triumphal March” from Aïda. The keynote of the Ascension Temple is “Liebestraum,” by Franz Liszt, and the radiance of the Electronic Presence of Serapis Bey and his twin flame pour through the aria “Celeste Aïda.”