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Mother of the World: Difference between revisions
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To [[Nicholas Roerich]], husband of Helena Roerich and also a [[messenger]] of the ascended masters, the Mother of the World was the highest symbol of world unity, the most universal of all the great teachers. He painted her many times throughout his career. She was often depicted with her eyes covered or veiled by a blue veil, signifying certain mysteries of the universe not yet to be revealed to man. | To [[Nicholas Roerich]], husband of Helena Roerich and also a [[messenger]] of the ascended masters, the Mother of the World was the highest symbol of world unity, the most universal of all the great teachers. He painted her many times throughout his career. She was often depicted with her eyes covered or veiled by a blue veil, signifying certain mysteries of the universe not yet to be revealed to man. | ||
== The Mother of the World | == The Mother of the World no longer veiled == | ||
In this time, the Mother of the World is no longer hidden but is manifesting herself on a planetary scale. She is seeking her children and desires to rescue them from the burdens that beset them. The culture of the Mother is the culture that existed on the golden-age civilizations of [[Lemuria]] and [[Atlantis]]. Now is the moment when we must come apart to restore the true culture of America, which is the culture of the Mother of the World. | In this time, the Mother of the World is no longer hidden but is manifesting herself on a planetary scale. She is seeking her children and desires to rescue them from the burdens that beset them. The culture of the Mother is the culture that existed on the golden-age civilizations of [[Lemuria]] and [[Atlantis]]. Now is the moment when we must come apart to restore the true culture of America, which is the culture of the Mother of the World. | ||