Söngl, tónsöngur

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A short, simple melody, especially one characterized by single notes to which an indefinite number of syllables are intoned, used in singing the psalms, canticles, etc., in the church service.

 
Hluti af greinasafni um
Vísindi hins
talaða Orðs



   Megingreinar   
Hið talaða Orð



   Ýmsar gerðir hins talaða Orðs   
Staðfesting
Ákall
Söngl
Möntrufyrirmæli
Tilskipun
Bænaávarp
Mantra
Bæn



   Austrænir hættir   
AUM
Bhajan
Bija mantra
Gullna mantran
Om mani padme hum



   Vestrænir hættir   
Heil sé þér María
Rósakransbæn



   Sérstakir helgisiðir   
Ljóshringur Maríu guðsmóður
Fjórtán rósakransbænir
Rósakransbæn Mikaels erkiengils
Helgihald uppstigningarlogans
Kristal rósakransbæn Kuan Yins



   Skyld efnisatriði   
Fjólublái loginn
Möntrufyrirmæli fjólubláa logans
Jafnvægi á milli fjólublárra og blárra möntrufyrirmæla
Pranayama
Öndunaræfingar Djwal Kúls
 

In both East and West, the name of God is chanted over and over again in the ritual of atonement whereby the soul of man becomes one with the Spirit of God by intonation of the sound of His name. This is given in Sanskrit as AUM or AUM TAT SAT AUM and in English as I AM THAT I AM.

By sounding the name of God or that of a member of the heavenly hosts, the vibration of the being is simulated and thereby Being itself is drawn to the one chanting. Therefore chants, when properly used, magnetize the Presence, whether universal or individualized, of the Divine Consciousness.

See also

Spoken Word

Mantra

Sources

Mark L. Prophet and Elizabeth Clare Prophet, The Science of the Spoken Word.