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Henry Wadsworth Longfellow: Difference between revisions
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American poet '''Henry Wadsworth Longfellow''' (1807–1882) was an embodiment of the ascended master [[Lanello]]. Longfellow served as a [[messenger]] for the [[Brotherhood]] in the capacity of poet laureate. | American poet '''Henry Wadsworth Longfellow''' (1807–1882) was an embodiment of the ascended master [[Lanello]]. Longfellow served as a [[messenger]] for the [[Brotherhood]] in the capacity of poet laureate. | ||
In that embodiment Lanello passed the initiation, not only of recording the teachings of the Brotherhood, but also of recording them in poetry, which is the language of the | In that embodiment Lanello passed the initiation, not only of recording the teachings of the Brotherhood, but also of recording them in poetry, which is the language of the [[angel]]s. His poems established within his forcefield and consciousness the patterns of the master [[El Morya]], who dictated through him at that time, the master himself having previously been embodied as the poet Thomas Moore. Longfellow’s poetic rhythm is evident in the decree patterns that have been dictated through Mark. | ||
The poet’s ability to tap the [[akashic records]]—not only of his past embodiments but also of events taking place in his time—enabled him to write epic poems that have been loved by millions because of their essential Truth. Concerning “The Golden Legend,” he said, “The story upon which it is founded seems to me to surpass all other legends in beauty and significance. It exhibits, amid the corruption of the Middle Ages, the virtue of disinterestedness and self-sacrifice, and the power of Faith, Hope and Charity, sufficient for all the exigencies of life and death.” | The poet’s ability to tap the [[akashic records]]—not only of his past embodiments but also of events taking place in his time—enabled him to write epic poems that have been loved by millions because of their essential Truth. Concerning “The Golden Legend,” he said, “The story upon which it is founded seems to me to surpass all other legends in beauty and significance. It exhibits, amid the corruption of the Middle Ages, the virtue of disinterestedness and self-sacrifice, and the power of Faith, Hope and Charity, sufficient for all the exigencies of life and death.” | ||
Longfellow referred to Faith, Hope and Charity as proper nouns—perhaps as virtues, but more likely as guardian angels, which, in reality, they are. [[Lucifer]] also plays a part in “The Golden Legend.” He was as real a personality to Longfellow as he was to Origen. | Longfellow referred to Faith, Hope and Charity as proper nouns—perhaps as virtues, but more likely as guardian angels, which, in reality, they are. [[Lucifer]] also plays a part in “The Golden Legend.” He was as real a personality to Longfellow as he was to [[Origen]]. | ||
Longfellow was able to enter into the spirit of Hiawatha in his poem by that name because he himself had been embodied as that great Indian leader. | Longfellow was able to enter into the spirit of Hiawatha in his poem by that name because he himself had been embodied as that great Indian leader. | ||