Aton: Difference between revisions
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[[File:La salle dAkhenaton (1356-1340 av J.C.) (Musée du Caire) (2076972086).jpg|thumb| | [[File:La salle dAkhenaton (1356-1340 av J.C.) (Musée du Caire) (2076972086).jpg|thumb| | ||
<translate>Ikhnaton and Nefertiti worshipping Aton, inscription from the Royal Tomb of Amarna</translate>]] | <translate><!--T:8--> Ikhnaton and Nefertiti worshipping Aton, inscription from the Royal Tomb of Amarna</translate>]] | ||
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Latest revision as of 22:16, 19 May 2024
![](/w/images/thumb/0/02/La_salle_dAkhenaton_%281356-1340_av_J.C.%29_%28Mus%C3%A9e_du_Caire%29_%282076972086%29.jpg/300px-La_salle_dAkhenaton_%281356-1340_av_J.C.%29_%28Mus%C3%A9e_du_Caire%29_%282076972086%29.jpg)
Thirty-three centuries ago, Ikhnaton recognized the one God in the spiritual sun behind the physical sun, and he called this God “Aton.” Ikhnaton visualized the Infinite One, Aton, as a divine being “clearly distinguished from the physical sun” yet manifest in the sunlight. Ikhnaton gave reverence to the “heat which is in the Sun,” as he saw it to be the vital heat that accompanied all life. Ikhnaton created a symbol that depicted Aton as a golden circular disk from which diverging beams radiated. He was careful to point out that the solar disk itself was not God but only a symbol of God. Each diverging beam, or ray, ended in a hand extending over every person as a blessing.
See also
For more information
Elizabeth Clare Prophet, Ikhnaton: Messenger of Aton (DVD).
Sources
Pearls of Wisdom, vol. 41, no. 49.