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Avepaulina (talk | contribs) (Created page with "<blockquote>При Синае Ее голос звучал. Образ Кали был принимаем; основа Изиды, Истар. После Атлантиды,...") |
Avepaulina (talk | contribs) (Created page with "<blockquote>После Атлантиды Матерь Мира сокрыла Лик Свой и запретила произносить И...") |
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<blockquote>При Синае Ее голос звучал. Образ Кали был принимаем; основа Изиды, Истар. После Атлантиды, когда был нанесен удар культу духа, Матерь Мира начала новую нить, которая засияет теперь.</blockquote> | <blockquote>При Синае Ее голос звучал. Образ Кали был принимаем; основа Изиды, Истар. После Атлантиды, когда был нанесен удар культу духа, Матерь Мира начала новую нить, которая засияет теперь.</blockquote> | ||
<blockquote> | <blockquote>После [[Special:MyLanguage/Atlantis|Атлантиды]] Матерь Мира сокрыла Лик Свой и запретила произносить Имя, пока не пробьет час Светил... Старый мир отвергал Матерь Мира, новый начинает ощущать ее прекрасное покрывало».<ref>Helena Roerich, ''Mother of the World'' (New York City: Agni Yoga Society, 1956), pp. 10, 12.</ref></blockquote> | ||
To [[Nicholas Roerich]], husband of Helena Roerich and also a [[messenger]] of the ascended masters, the Mother of the World was the highest symbol of world unity, the most universal of all the great teachers. He painted her many times throughout his career. She was often depicted with her eyes covered or veiled by a blue veil, signifying certain mysteries of the universe not yet to be revealed to man. | To [[Nicholas Roerich]], husband of Helena Roerich and also a [[messenger]] of the ascended masters, the Mother of the World was the highest symbol of world unity, the most universal of all the great teachers. He painted her many times throughout his career. She was often depicted with her eyes covered or veiled by a blue veil, signifying certain mysteries of the universe not yet to be revealed to man. |
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