Ruth Hawkins
La flamme jumelle de Paul le Vénitien est la maîtresse ascendante Ruth Hawkins. Ruth est née le 18 février 1907 à Topeka, dans le Kansas (également lieu de naissance de Clara Louise Kieninger). Ruth vivait à Albuquerque, au Nouveau-Mexique, lorsqu'elle a fait son ascension en octobre 1995, à l'âge de quatre-vingt-huit ans.
C'était une âme fougueuse et fidèle qui s'est beaucoup investie dans la cause de la Grande Fraternité Blanche. Elle avait les cheveux blonds et de magnifiques yeux bleus cristallins. Elle avait des manières royales et se comportait avec dignité.
Son service auprès des maîtres
Ruth a découvert les enseignements des maîtres pour la première fois grâce à l'activité I AM Activity vers 1936, alors qu'elle avait vingt-neuf ans. Alors que Ruth était membre de Bridge to Freedom dans les années 1950, Paul le Vénitien a dicté un message révélant que Ruth était sa flamme jumelle et que lorsqu'elle s'élèverait, son nom serait celui de Déesse de la Beauté.
De 1963 à 1973, Ruth a été directrice du Summit Lighthouse Study Group à Los Angeles, qui s'appelait alors Saint Germain's Freedom Group. À l'époque, c'était l'un des plus grands groupes Summit Lighthouse du pays. Chaque jeudi après-midi, pendant près de vingt ans, Ruth organisait une veillée avec d'autres Gardiens de la Flamme.
En 1971, lors d'un service célébré par Mark Prophet, Ruth Hawkins fut fait chevalier par Saint Germain pour son travail infatigable et fidèle et ses services méritoires envers les maîtres ascensionnés. Il la fit chevalier sous le nom de Lady Adoremus.
France
Ruth a consacré sa vie à Paul le Vénitien. À sa demande, elle a fait un voyage en France avec un autre dévot à l'automne 1984. Ils ont loué un appartement à Paris où ils ont décrété pour la France tous les jours pendant quatre mois, le matin, l'après-midi et le soir.
Ruth et son amie vivaient sur une place appelée la Place du Tertre, où des centaines d'artistes installaient leurs chevalets pour peindre. Ruth discutait avec les artistes d'art et leur montrait la Carte de votre Moi Divin ainsi que des reproductions des maîtres. Elle avait toujours sur elle une pile de Cartes de votre Moi Divin au format portefeuille. Dès qu'elle en avait l'occasion, elle en donnait une à quelqu'un. Au moment où elle quitta Paris, de nombreux artistes avaient une image de la carte sur leur chevalet.
Ruth and her friend found that the French usually responded favorably to foreigners who knew French. Although Ruth didn’t know any French when she arrived in Paris, the people loved her anyway. Ruth’s apartment was near the Basilica of the Sacré-Coeur, and Ruth and her friend frequently went to the Sacré-Coeur and other cathedrals to pray for Paris. They would sit in the pews and decree to Astrea.
Ruth and her friend also did many violet-flame decrees—half an hour three times a day. They felt that there was much hardness in the city and that the violet flame was needed to soften it so that the people would accept the light. Ruth acquired a violet-color transparency. She would hold it up to her eyes and look through it to see the city covered with violet flame.
She held the immaculate concept for all life and never spoke unkindly about anyone. Her friend said it was as if she never saw anything negative in people.
Ruth herself was beautiful and always well-groomed and finely dressed. One day Ruth and her friend were riding a subway in Paris. A mother who looked very poor boarded the subway with her little boy. The boy, about eight years old, was dirty and his clothes were raggedy. There weren’t enough seats for them, so Ruth said to the child, “You can sit on my lap.”
The little boy climbed onto Ruth’s lap and Ruth looked directly at him. She told him how beautiful and special he was; she told him that he was God’s child. The little boy looked back at Ruth and smiled. It was clear that he believed her. When Ruth and her friend got off the subway, Ruth said nothing about how dirty and raggedy the child was. Instead she commented to her friend, “Wasn’t he the most beautiful child you ever saw?” That is what she thought about all children.
Every day around 3:30 pm, when the children got out of school, Ruth and her friend would take a walk to see them. Ruth would smile at the children and say “Bonjour.” And every Thursday the two women held a vigil for the youth.
Her artwork
As the twin flame of Paul the Venetian, Ruth was wholly devoted to truth and beauty. She was an artist and she poured her devotion into her painting. Ruth said that if it were not for Paul the Venetian, she would not have been able to paint. Sometimes, under his direction, she would begin a portrait before she even knew whom she was going to paint.
She created many portraits of the ascended masters, which are still used as focuses for the masters’ presence. Mark Prophet said that if she continued painting, she would make her ascension. Her work included portraits of Paul the Venetian, Saint Germain, Mother Mary, Nada, Kuan Yin, Sanat Kumara and Lady Master Venus.
Her ascension
Though Ruth knew that Paul the Venetian was her twin flame, at times she was assailed with doubt that this was true. She remembered an embodiment when they had been together and she had doubted him. Ruth felt that if she was to make her ascension in this life, she would have to have total faith in Paul the Venetian. She did overcome her doubt and maintained total faith in her twin flame.
Paul the Venetian was waiting for Ruth when she made her transition, having fulfilled all her commitments to life and balanced her karma. They requested that Ruth experience her ascension from the Temple of the Sun, the etheric retreat of the Goddess of Liberty over Manhattan. The Goddess of Liberty is Paul the Venetian’s spiritual Mother.
Paul the Venetian’s retreat, the Château de Liberté, is on the etheric plane over southern France, but currently he is holding classes in the Temple of the Sun. Ruth wanted to take her ascension from the Temple of the Sun because of her deep love for Saint Germain and for America. Ruth Hawkins’ ascension flame is now permanently anchored in the etheric octave in that retreat over Manhattan.
While Ruth was in embodiment, she anchored Paul the Venetian’s flame in the earth. The master said that she single-handedly carried his torch of the love ray. Since Ruth is now ascended, Paul the Venetian has requested that each one of us carry one flame of the torch of the love ray that she held. We can call to Paul the Venetian and Ruth Hawkins to intensify love in the hearts of people of the world—especially in the youth.
Portraits of the ascended masters by Ruth Hawkins
See also
Sources
Mark L. Prophet and Elizabeth Clare Prophet, The Masters and Their Retreats, s.v. “Ruth Hawkins.”